COLLEONI CHAPEL, Interior

Inside the Chapel, you’ll easily recognize Bartolomeo Colleoni: he’s the horseman in gilded wood, in parade dress, with a large hat and the baton of command. The equestrian statue occupies a place of honor, high up in the center of the funeral monument, composed of two tombs placed one on top of the other.

Once again, the desire to celebrate Colleoni’s endeavors overshadows religious sentiment: the light that shines in from the rose window illuminates the statue, while the altar of the chapel is confined in a darker spot on the right. Colleoni was laid to rest in the larger, lower tomb, while the one on top contains the remains of his wife, Tisbe. The sculptures that adorn them are masterpieces by Giovanni Antonio Amadeo.

In one of the relief panels depicting Stories of Christ, and more specifically the Flagellation, Bartolomeo Colleoni can be seen again, sitting on a helmet and holding a torch in his hand.

On the wall on the left, you can also see another tomb, more modest, but crafted in an extremely delicate style. The marble drapes are drawn to show a lovely young woman, tenderly set down to rest for eternity: this is Medea, Colleoni’s natural daughter, who died at 15 years of age and is portrayed by Amadeo with exquisite sensitivity....