SANTA MARIA MAGGIORE, Interior

As you can see, the church has a magnificent single-nave interior, flanked by a number of chapels. Just try to imagine this huge nave packed with ecclesiastical figures intent on discussing how to reform the Church, in response to the unprecedented challenge set off by Martin Luther with the advent of Protestantism.

This was the scene inside the walls of the basilica for over a year and a half, from April 1562 to December 1563, during the third and final phase of the Council of Trent.

Traces of this important event can still be seen today in a number of paintings depicting the sessions, featuring the scenes and the characters that played a part in them; these scenes are also immortalized in the frescoes that embellish the vaults above the nave, painted in 1902 by Sigismondo Nardi. These are not the original vaults of the sixteenth-century church, which suffered a collapse at the beginning of the 19th century.

Another distinctive feature of the basilica is the absence of a transept, the rectangle that generally intersects churches between the nave and the altar to give them a cross shape. The ground plan, designed by the architect responsible for the original building work in the 16th century, Antonio Medaglia, was inspired by the one designed by Leon Battista Alberti for Sant’Andrea in Mantua, a masterpiece of Renaissance architecture, also without a transept....