TATE BRITAIN, Turner

The section dedicated to William Turner fully justifies your visit to Tate Britain by itself. He was born in 1775 and died in the mid-1800s, and was certainly one of the most fascinating, autonomous, and innovative painters of early European Romanticism: he was a cardinal figure of art and culture, whose choices often seemed bizarre and even provocative in the eyes of contemporaries.

His painting is a fascinating mixture of vapors, water, atmospheres, classic memories, and real life depictions. A precocious and predestined genius, at the age of fifteen he was admitted to the Royal Academy, where he excelled in all subjects: painting, watercolor, drawing, oil, topography, and engraving. A tireless and true romantic wanderer, as a young man he took long walks in the English and Welsh countryside. Just like his great contemporaries and adversary Constable, Turner was intensely and intimately British, but unlike Constable, Turner was always curious about the world and seeing other landscapes, and he took several study trips to other nations. On his first trip at the age of twenty-eight, instead of the classic, Mediterranean routes of the Grand Tour, Turner chose the snow, the alpine lakes, and the "sublime" peaks of the Alps. In 1819 his first trip to Italy led him to Venice, which thrilled him for the reflections and transparency of the water, monuments, sky, and clouds. Although he loved Rome and Naples, no Italian town fascinated him as much and he went back to Venice four times, each time finding new and amazing combinations of lights, colors, brush strokes, and glossy contours for scenes and views that at that time had already been reproduced thousands of times....